A CONDENSED CURRICULUM VITAE
Recent, In Progress and In Preparation:

 



Ryman's Notch, oil and mixed media on
unstretched canvas, 97" x 145", 1988-1997

 

 

 

 

 

Two venue exhibition, Endgame, at Dowling College, Anthony Giordano Gallery, January 11 – March 1, 2009, and Gallery North, Setauket, NY, January 11- March 1, 2009; National Academy of Design,  183rd Invitational Exhibition, , May 29 – September 7, 2008; From Here to the Horizon: American Landscape Prints from Whistler to Celmins, Rutgers University, Zimmerli Museum, February 16 – July 31, 2008; Summer Invitational, Nielsen Gallery, Boston, June 23 – August 4, 2007; Etudes: Paintings, Prints, Drawings, Van Deb Editions, New York, March 29 – April 7, extended to May 24, 2007; Under Cover; Artists' Sketchbooks, Fogg Art Museum, Harvard University, August 1 through October 22, 2006; Works on paper, The Armory Show, New York, March, 2006; Faculty Exhibition, Fine Arts Gallery, Stony Brook University, November 15 - December 14, 2005, Staller Center for the Arts; Revisioning Nature, SAC Gallery, Stony Brook University, October 19-November 17, 2005; United States Department of State, works on paper from the State Department Collection, through 2005; Stony Brook University Art Faculty in Albany, October 11-Novermber 25, 2005; Landscape at Forty, Gallery North, Setauket, NY 40th anniversary landscape exhibition August 14 - September 26, 2005; Trees, From Here to Eternity (Hopefully), The Nielsen Gallery, Boston, June 4-July 2, 2005; Works on Paper, The Armory Show, New York City, 2005; Affordable Art Fair, Pier 92, NYC, Oct. 28-31, 2004; A Fine Line: Drawings, Whitney Art Works, Portland, ME, September 16-October 23, 2004; The Nielsen Gallery, Boston, Summer Invitational, June 26-August 2004; Morelia, Mexico, mural conference and panels, May, 2004, with Ellen Landau, David McKee, Musa Mayer Guston et al; Affordable Art Fair, Pier 92, New York, October 29 - November 2, 2003;Nielsen Gallery, Boston, MA, Mel Pekarsky, Coming to the Desert, December 7, 2002 - January 4, 2003; Albright-Knox Gallery, Buffalo, NY, Prints, December 29, 2002 - January 27, 2003; The Affordable Art Fair, Pier 92, New York, October 31 - November 3, 2002; Westport Arts Center, Westport, CT, The Endurance of Art, , with Michal Rovner, Richard Serra, Kiki Smith, Kara Walker, etc., September 20 - November 8, 2002; Nielsen Gallery, Boston, MA, In The Spirit of Landscape VII, June 8 -August 3, 2002; Art Sites, Greenport, NY, Mel Pekarsky, Terra, Works from Four Decades, April 27 - May 27, 2002; The Space at Chelsea Market, New York, Etchings and Monoprints, 1999 - 2002, April 30 - May 20, 2002; Gallery North, Setauket, NY, The Objective Landscape, March 24 - April 21, 2002; Rosenberg + Kaufman, Fine Art, New York, Grounded, January 26 - February 16, 2002; Retrospective exhibition, Nevada Museum of Art, Reno, Anxious Object: Paintings and Drawings from Two Decades by Mel Pekarsky, February 9 - April 15, 2001; The American Academy of Arts and Letters, New York, 2001 Invitational Exhibition, March 5 - April 1; The Fogg Museum of Art, Harvard University, A Decade of Collecting: Recent Acqusitions of Prints and Drawings From 1940-2000, June 3-August 21, 2000; Co-Curator, with Anne Cohen De Pietro of the Heckscher Museum and independent curator Ron Pisano, Labscapes 2000, Cold Spring Harbor Laboratory, an exhibition of invited site-specific landscapes of the Laboratory's campus in celebration of the millenium, November, 2000; Gallery North, Setauket, NY, Affinities and Influences, and exhibition of work by artists and their proteges, June 4-July 16, 2000; Invited Lecture, "What's to Paint?", sponsored by the New York State Council on the Arts and Gallery North, July 2000; Invited Chair, College Art Association panel, New York, February, 2000, What's the Artists's (Critic's, Historian's, Curator's. Dealer's) Job in the 21st Century?, with George Adams, Dan Cameron, Leon Golub, Kim Levin, Nicholas Mirzoeff; Commisioned suite of three soft-ground etchings of desert images, published by VanDeb Editions, New York.

Studied at the School of the Art Institute of Chicago and Northwestern University. BA, MA, Northwestern University.


Over 30 one-person exhibitions in New York, Chicago, San Francisco, etc., including 12 at G.W. Einstein Gallery, New York, and retrospectives at the Stony Brook Museums, and the Nevada Museum of Art.


Group exhibitions include the Art Institute of Chicago; Whitney Museum of American Art; Cleveland Museum; Brooklyn Museum; San Diego Museum; Carnegie Museum; Indianapolis Museum; Cooper-Hewitt Museum; Butler Institute of American Art; Musées Royeaux de Beaux- Arts de Belgique; Moscow Kuznetsky-Most; With USIA in various cities of France and Germany.


Collections include the Cleveland Museum; Minneapolis Institute of the Arts; Corcoran; Indianapolis Museum; Columbus, Ohio Museum; Harvard's Fogg; the Yale University Museums; Snite Museum at Notre Dame University; Northwestern University; Voorhees Museum at Rutgers; University of North Dakota; Nevada Museum of Art, Roswell, NM Museum of Art; US State Department; US Environmental Protection Agency; Westinghouse Corporation; Chase Manhattan Bank; Bank of America; General Electric; Prudential Corporation; Heublein Corporation; General Mills, AT&T, American Medical Association, other public, corporate and private collections.


Founding member and executive vice-president of City Walls, Inc., an artist-founded and run public art corporation, which evolved into New York's Public Art Fund. Six public exterior painting projects in New York metropolitan region. Consultant to other public art projects, e.g., in Jersey City and Atlanta. Board of Directors, Reuben Kadish Foundation for the Arts. Advisory Board, Art Criticism, and Editor of two editions. Invited panels and colloquia include College Art Association, American Institute of Architects. Member, College Art Association, Public Art Fund, numerous environmental organizations.


Editions published in drypoint and hand-colored drypoint engraving, soft-ground, lithography and silkscreen. Illustrated books for Follett, Scott-Foresman, Mouton, and others.


Grants from the Bernhard Foundation, The Kaplan Fund, The US Department of Health, Education and Welfare, The New York State Council on the Arts, The National Endowment for the Arts.


Reviews include Arts, Art Today, The Art Gallery, Art In America, American Artist, Architectural Record, Art News, The New York Times, Newsday, New York Magazine, Print Collector's Newsletter, Look, Saturday Evening Post, The Nation.


Work discussed and reproduced: Driscoll, John and Arnold Skolnick, The Artist and the American Landscape, San Francisco, 1998.
Biographical listings include Who's Who in American Art and Who's Who in America.
Professor of Art, State University of New York at Stony Brook.

 

 









Shard, clay, 3 7/8" width, 1977